Tuesday, 7 August 2012

The legacy of Liliesleaf Farm

On a breezy afternoon I explored South African heritage through a guided tour of Liliesleaf Farm. Nestled in the heart of Rivonia, the farm nurtures the memory and legacy of South Africa’s struggle heroes.

The tour began with a 12-minute, black and white video depicting the historical events that shaped the country’s future. The guide, Zain Khumalo then led us through corridors, were the walls seemed to teem with nostalgia, across green lawns and to the Manor house.

Khumalo explained the significance of the house. “Arthur Goldreich, a member of the Communist Party, and his family, fronted as the white owners of the farm, to keep up the façade of that time.”

Nelson Mandela moved in under the guise of a caretaker and took the alias David Motsamayi, the name of one of his former clients. “He wore a simple blue overall that was considered the uniform of the black male servant.”

But the farm was actually the meeting place for prominent leaders who fought against apartheid, until that fateful cold day in July 1963 when it was raided and ANC leaders were arrested. However it was through that injustice that the world’s attention focused on the tyrannical government in South Africa.

While 60 percent of the original brickwork was kept during renovation and maintain a semblance to the decades gone by, the technology that unfolds that past is a true testament to the innovation of our present technological era.

At the Manor House history is retold via a 3D interactive table of video, images, audio, and text.

Emerging at the back entrance of the house we were shown the coal shed where Madiba’s documents were discovered which ultimately led to his 27-year imprisonment. As we passed the outbuildings I was in awe of the rich history that just this one place held, we have certainly come a long way since the days of the ‘dom pas’ but there’s still a long journey ahead on our democratic path.

Wednesday, 1 August 2012

Building Midrand's Nizamiye Masjid

Natashia Bearam

The Nizamiye Masjid (mosque) opened in February following more than two years of construction. Inspired by Ottoman culture, the mosque has brought a little piece of Turkey to Midrand.

 

 
How it all started
Turkish property developer Ali Katircioglu, affectionately known as Uncle Ali, fulfilled his dream “to replicate Ottoman architectural style in a place where it did not exist” on South African soil in October 2009 when work on the Nizamiye Masjid began. Katircioglu initially planned to build the mosque in the United States, however, when a suitable location could not be found and at the suggestion of his friend Fethullah Gulen, he brought the ground-breaking project to SA changing the Midrand skyline forever. Katircioglu has overseen the entire project and will remain in the country until its completion.

Design and architecture
Occupying about two-thirds of a hectare, the mosque is a focal point between Johannesburg and Pretoria. According to project manager Orhan Celik, the masjid is a scaled down (20 percent smaller) replica of the Selimiye Mosque in Edirne, Turkey. The Selimiye was built in the 16th century by architect Mimar Sinan and is considered to be his greatest design and the apogee of Islamic architecture. “For Ottomans, among other art forms, architecture was one of the main ways to explore and express the beauty and spirituality of Islam,” said Celik.

The plans for the Midrand mosque were drawn up in Turkey and a local architect was tasked with adapting the drawings to local standards and regulations. It took thousands of man-hours to meticulously piece together the mosque and a team of Turkish builders was brought in to ensure its success. While it has been widely touted as the biggest mosque in the southern hemisphere Celik said he could not confirm that.

No costs were spared on its construction but according to Celik, media reports claiming the mosque cost upward of R1 billion were exaggerated. “All the amounts published so far have been estimates of other people,” said Celik. “Uncle Ali does not want an amount attached to the project but we can say that it is much less than the amounts published.”

Exploring the Nizamiye Masjid

The three-tiered grand mosque makes for a striking silhouette with its massive hand-painted dome bordered by four identical 55m high minarets. Stepping inside the masjid one is immediately awestruck by its seamless symmetry and beauty.  The harmonious architectural design transports you to a time when sultans ruled and empires dominated. Turkish Iznik tiles, which were handcrafted and imported from Turkey, adorn the walls and ceilings of the masjid.  Several ornate stained-glass windows create an extraordinary illuminated interior, drawing the eye upward toward the spectacular dome and highlighting the marbled pillars decorated with hand-painted golden leaves.

The central men’s prayer area and the upstairs women’s gallery, accommodate up to 3 000 people per service. But for Katircioglu the mosque is much more than a place of worship. Celik said, “Uncle Ali feels that a building is just metal and concrete and only becomes meaningful when it serves people. Hence he added other features to it like a clinic, school, cemetery, conference hall and shops, so it will serve as a community centre not just a place of worship.”

Stats a fact

  • 200 workers were used in the Nizamiye’s construction.
  • The dome is 31m high and 24m wide.
  • It has four half domes and 21 smaller domes.
  • There are 232 stained-glass windows.
  • There are seven entrances.
  • The dome was covered with 48 tons of lead.
  • The minarets are 55m high with stairs going up three platforms. One minaret has two staircases.
  • The name Nizamiye was inspired by the 11th century AD Nizamiye Madrasah (educational facility) in Baghdad.
  •  All of the Islamic artworks were hand-painted by calligraphers.
  •  The prayer hall has a mehrab (a niche in the wall indicating the direction of prayer toward Mecca), mimbar (pulpit atop a flight of stairs) and kursu (podium). 
  •   Including one in the courtyard there are five wudhu facilities (Muslims use this to wash  before prayers).
  •  On special occasions the mosque is lit up in luminescent green and purple at night.
  •   The carpet in the main prayer area was specifically designed for the mosque and the hand- painted dome above it is a mirror image of its design.
NB: This story is referenced in a Wikipedia article about the Nizamiye Masjid.